Celebrating Great Films


Showing posts with label Alfred Hitchcock. Show all posts
Showing posts with label Alfred Hitchcock. Show all posts

Wednesday, February 07, 2007

Dial M for Murder

Dial M for Murder#243 at time of writing.

This film was like an Agatha Christie novel - very clever, and quite satisfying, but not particularly deep, and populated with fairly stereotypical characters.

Hitchcock manages to keep the suspense and intrigue going throughout, as is his wont, but I disgree with all the people that say he is a master of the medium. He doesn't use the versatility of film to its full extent at all - he produces films that feel like stage plays (at least the ones I've seen).

That style doesn't sit easily with me, it makes me restless. So although this is a perfectly good film, with some surprising twists, I wouldn't rank it among my favourites.

Bizarrely, this was originally filmed in 3D, which explains the prevalence of low-angle shots with lamps and other objects in the foreground. There was only a brief original release in 3D, followed by a conventional "flat" release; the 3D version was reissued in 1980.

Monday, May 22, 2006

Rear Window

Rear Window#14 at time of writing.

I recently realised that I have read and watched hundreds of Hitchcock snippets, but - shamefully - never have I sat through an entire film. And there are no less than nine of his films in the IMDb top 250 list.

So I allowed myself a minor indulgence and bought a Hitchcock box set. OK, it was more than a minor indulgence - it's a large box set. 34 films.

This film is the highest rated Hitchcock on IMDb, and often considered his best and most thrilling picture. So I am told.

It strikes me as the ultimate movie for studying in film school. It could be analysed to death. It's a fascinating idea, light-heartedly executed, but many-layered. But it feels like a film for film students. At best, it's intriguing. At worst, it plods.

James Stewart's character is amusing, Grace Kelly's is luminous, and the insurance company nurse is hilarious. The idea is wonderful. The 1950's filmmaking is nostalgic, gentle and naive. I enjoyed it, but I don't think this movie would have made it into my own personal top 250.

Yet IMDb users rate it as the fourteenth best film of all time! I must be missing something...