#123 at the time of writing.
I haven't seen many of director Wes Anderson's efforts. I recall not thinking much of The Royal Tenenbaums, but absolutely loving Moonrise Kingdom. In The Grand Budapest Hotel, his meticulous kitsch style reaches a pinnacle as he tells the story of a hotel and its legendary concierge, a delightful and quirky adventure through the stereotypes of interwar Europe.
When I walked out of the cinema the sensibilities of the film had rubbed off on me; I was seeing symmetry in everything, talking terribly deferentially and making only right angled turns.
A wonderful fantasy.
I haven't seen many of director Wes Anderson's efforts. I recall not thinking much of The Royal Tenenbaums, but absolutely loving Moonrise Kingdom. In The Grand Budapest Hotel, his meticulous kitsch style reaches a pinnacle as he tells the story of a hotel and its legendary concierge, a delightful and quirky adventure through the stereotypes of interwar Europe.
When I walked out of the cinema the sensibilities of the film had rubbed off on me; I was seeing symmetry in everything, talking terribly deferentially and making only right angled turns.
A wonderful fantasy.
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