Star Wars: The Force Awakens

#197 at the time of writing.

I've warmed to the original Star Wars since I blogged about it - ok, I admit, it is a brilliant film. (Though I've cooled to the sequel.) But I've never been excited about Star Wars.

Until this film came along.

J. J. Abrams did it with Star Trek, and I believed he could do it again. Perhaps I got caught up in the hype, but I was really looking forward to watching this, and it exceeded my expectations. It successfully walked the tightrope between modern and nostalgic, while keeping up a great pace and sharp wit throughout. Yes, it's basically a remake, but it's fresh, and it effectively reboots the franchise in a direction that has captivated new generations - and me. Without a Jedi in sight.

In particular, Rey kicks ass in a way that I - and my daughter - would love to see more of on the big screen.

I love that relatively untested actors were used. It's a testament to the legend that Star Wars has built up for itself that John Boyega was so nervous and frightened at the prospect of not getting the role that he didn't tell his parents he'd been cast until after a cast photo was posted online by the official Star Wars Twitter page, and Daisy Ridley nearly had a panic attack during her first day on set when she feared her performance wasn't up to scratch.

George Lucas, thank you for letting go. Bring on the sequels.

Neat trivia: John Williams received his 50th Oscar nomination for scoring this film. Oh, and this is the third movie in history to reach the $2 billion mark after Avatar (2009) and Titanic (1997).

Avatar

Unranked at time of writing.

James Cameron (or at least his marketeers) claimed that Avatar will change cinema forever. Having watched the preview in front row seats at IMAX last night, I finally understand what he means.

Avatar is a stunningly beautiful, comprehensively realised vision that absolutely must be experienced in a cinema. That’s the kicker – I doubt this film would have anywhere near the same impact on a TV screen. Two dimensions would not do this movie justice.

So if Avatar changes cinema it will be by making it more like going to the theatre – you have to see it live. More likely, I think, is that this movie - which is James Cameron’s first outing since 1997’s record-smashing Titanic - will precipitate the advent of 3D in our living rooms (for one thing, they might have to sell a lot of DVDs to break even – the production is rumoured to have cost $300m and as much again is being spent on marketing).

3D films often feel fairly flat, apart from the occasional thing jumping out at you, but the 3D in Avatar has an incredible depth of field. The landscapes of the planet Pandora seem to stretch away for miles. Another bar raised is the CGI. The attention to detail is breathtaking.

Yes, the story uses every trick in the Hollywood book to hook you in, but – wow! – Mr Cameron is a master of those tricks. The pace and interest don’t flag for a moment in the 162 minutes running time. It’s truly epic; it feels like the three Lord of the Rings films rolled into one.

You might argue that the characters and the plotting are a little close to formula, but as an aesthetic and dramatic experience, Avatar is – without exaggeration – the film of the decade. Truly hypnotising.