Celebrating Great Films


Saturday, May 18, 2013

Star Trek Into Darkness

#184 at the time of writing.

J. J. Abrams set the bar high with his reboot of the Star Trek film franchise, and with this sequel he has delivered against high expectations. Again, he has produced a film that works independently as sci-fi thriller fare yet while remaining rooted in the Star Trek universe.

And it is thrilling indeed. I found myself at the edge of my sat so often that at one point I suspected the story was just a bunch of how-will-they-make-it-out-of-this-one set-pieces strung together. But of course the heroes prevail, without too many plot holes or deus ex machina.

Ultimately, this is thoroughly satisfying, and I'll be first in the queue to see number three in the series. (But oh no! Mr Abrams won't be at the helm! He'll be too busy directing Star Wars VII...)

I'm sure this film has yet to reach its peak on the IMDb ranking. However, I reckon that when the dust settles, this film's ranking will follow its predecessor's and plummet. Whether it clings on to the Top 250 or not remains to be seen.

Wednesday, March 20, 2013

Million Dollar Baby

#174 at time of writing.

This film, about an ageing boxing coach who reluctantly agrees to train a relentlessly determined and positive woman, does not end up going in the direction you expect, and is all the more powerful as a result.

Clint Eastwood plays almost the same character as in Gran Torino, which is ranked higher on IMDb, but in my opinion this is the superior film. And the Academy clearly agrees with me, having awarded this the Best Picture Oscar (and three others).

You have to admire Mr Eastwood for continuing to direct and act in such compelling and challenging films despite being older than sin - he was 74 when this was released and he's still going strong almost a decade later.

Even more respect to him for sticking with this difficult story, based on short stories by F.X. Toole, despite the typical narrow minded studio reaction to anything that doesn't fit the formula. Several studios refused to fund Million Dollar Baby until Tom Rosenberg stuck his neck out to provide half of the $30million budget. Box office receipts ended up exceeding $200million.

Hilary Swank puts in a stellar performance that would steal the show, except that Clint Eastwood and Morgan Freeman live up to their reputations as masters of gravitas while they compete to see who can be the gruffest old man.

A movie that can be hard to watch, but is full of heart.

Tuesday, March 19, 2013

The Sixth Sense

#143 at time of writing.

To say that this is M. Night Shyamalan's best film would not be telling the whole truth. Far more accurate would be to say that this is his only remotely good film.

Yet it is a very good film. It has all the hallmarks of his worst stinkers - e.g. schmaltzy monsters, a tendency towards over-earnest cheesiness, an excess of focus on plot for the sake of the twist - yet somehow manages to dodge between the cracks and end up being a satisfying and very touching masterpiece.

Perhaps he should stick to being a writer, and let better directors realise his work - or the other way around. (This was a spec script of his, one twelve released films that he's written as of 2013, ten of which he directed. And one of which is any good. Did I say that already?)

The story is about a child who claims, "I see dead people" (the American Film Institute's #44 movie quote of all time), and the skeptical but kind child psychologist who tries to treat him. Despite trying to avoid spoilers, I heard a little about the twist ending, and for years I dismissed it as sounding too similar to The Others. When I finally got around to seeing it, I was pleasantly surprised. I got so into the film that I forgot about the twist, and when it came it had the full effect. Thrilling.

Tuesday, February 26, 2013

Terminator 2: Judgment Day

#36 at time of writing.

Terminator 2 left an indelible impression on my young teenage mind when I first saw it, and some 20 years later it's still very impressive. James Cameron really knows how to make a movie.

Arnold Schwarzenegger is at his best as the indomitable T-101, ultra cool right from the start. And, geniusly, even though he was such a terrifying bad guy in the first movie, by the end of this one you're rooting for him all the way.

But the film's antagonist, the T-1000, is one of the all-time greatest bad guys. Invincible, cunning, relentless - my heart races when I think of him clawing his way onto the back of the police car. And he makes thrilling use of his powers in the final battle. The special effects were mind-blowing at the time, and hold up well.

And despite these two epic rivals trying to steal the show, Linda Hamilton's Sarah Connor more than holds her own. She is a beautifully complex character, strong yet flawed, who's story is intrinsic to the film's excellent plot.

There is no fate but what we make.

(On a side note, according to IMDb trivia Arnold Schwarzenegger was given a slightly used Gulfstream III airplane, worth about $14 million, by producer Mario Kassar for accepting the role. I wonder what the Governator got for T3?!)

Monday, February 25, 2013

Snapshot III - IMDb's Top 250 Films Feb 2013

It's been well over two years since I last did a snapshot of IMDb Top 250...

Since I blogged about them, 25 films have gone up in the ranking:
  • Alien (up 3 places)
  • Gone with the Wind (+4)
  • Princess Mononoke (+5)
  • Batman Begins (+6)
  • How to Train Your Dragon (+6)
  • Life of Brian (+6)
  • Oldboy (+8)
  • Rocky (+9)
  • Forrest Gump (+10)
  • The Secret in Their Eyes (+10)
  • Full Metal Jacket (+13)
  • V for Vendetta (+17)
  • Fight Club (+22)
  • The Artist (+24)
  • Pirates of the Caribbean: The Curse of the Black Pearl (+25)
  • Back to the Future (+26)
  • The Big Lebowski (+28)
  • The Thing (+29)
  • Howl's Moving Castle (+30)
  • Star Wars: Episode VI - Return of the Jedi (+32)
  • Life of Pi (+39)
  • Inception (+69)
  • Dial M for Murder (+75, maybe thanks to the release of Hitchcock?)
  • The Prestige (+119!)
  • The Dark Knight Rises (previously unranked)

2 films have stayed the same:
  • The Great Escape
  • The Lion King

And the rest have gone down. The biggest losers, including the 23 which have dropped out of the ranking altogether, are:
  • Black Swan (down 130 places)
  • Star Trek (-143)
  • Slumdog Millionaire (-161)
  • District 9 (-169)
  • The Wrestler (-181)
  • Frost/Nixon (was #243)
  • Star Wars: Episode III (was #243)
  • X-Men: First Class (was #234)
  • The Day the Earth Stood Still (was #228)
  • True Grit (was #223)
  • The Fighter (was #222)
  • 127 Hours (was #221)
  • Little Miss Sunshine (was #221) - at last!
  • Almost Famous (was #212)
  • Walk the Line (was #200)
  • In Bruges (was #193)
  • Let the Right One In (was #192)
  • Letters from Iwo Jima (was #187)
  • Zombieland (was #185)
  • Brief Encounter (was #158) - I wonder why this dropped off?
  • Duck Soup (was #147)
  • Hero (was #143)
  • the African Queen (was #136)
  • The Social Network (was #133) - deserves a place in the ranking, I think.
  • The Hangover (was #130)
  • Kill Bill 2 (was #116)
  • Drive (was #90)
  • The Incredibles (was #80) - such a huge and undeserved plummet!

My mission is 29% complete!

RankRatingTitleBlogged?
1.9.2The Shawshank Redemption (1994)
2.9.2The Godfather (1972)
3.9.0The Godfather: Part II (1974)
4.8.9Pulp Fiction (1994)
5.8.9The Good, the Bad and the Ugly (1966)
6.8.912 Angry Men (1957)
7.8.9The Dark Knight (2008)Yes
8.8.9Schindler's List (1993)
9.8.8The Lord of the Rings: The Return of the King (2003)
10.8.8Fight Club (1999)Yes
11.8.8Star Wars: Episode V - The Empire Strikes Back (1980)Yes
12.8.8The Lord of the Rings: The Fellowship of the Ring (2001)
13.8.8One Flew Over the Cuckoo's Nest (1975)
14.8.7Inception (2010)Yes
15.8.7Goodfellas (1990)
16.8.7Star Wars: Episode IV - A New Hope (1977)Yes
17.8.7Seven Samurai (1954)Yes
18.8.7Forrest Gump (1994)Yes
19.8.7The Matrix (1999)
20.8.7The Lord of the Rings: The Two Towers (2002)
21.8.7City of God (2002)Yes
22.8.6Se7en (1995)
23.8.6Once Upon a Time in the West (1968)
24.8.6The Silence of the Lambs (1991)
25.8.6Casablanca (1942)Yes
26.8.6The Usual Suspects (1995)
27.8.6Raiders of the Lost Ark (1981)Yes
28.8.6Rear Window (1954)Yes
29.8.6It's a Wonderful Life (1946)
30.8.6Psycho (1960)
31.8.6Leon (1994)
32.8.5Sunset Boulevard (1950)
33.8.5Memento (2000)Yes
34.8.5American History X (1998)
35.8.5Apocalypse Now (1979)
36.8.5Terminator 2: Judgment Day (1991)
37.8.5Saving Private Ryan (1998)
38.8.5Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
39.8.5Alien (1979)Yes
40.8.5City Lights (1931)
41.8.5Django Unchained (2012)Yes
42.8.5North by Northwest (1959)
43.8.5Spirited Away (2001)
44.8.5Modern Times (1936)
45.8.5The Dark Knight Rises (2012)Yes
46.8.5Citizen Kane (1941)
47.8.5The Shining (1980)
48.8.5Back to the Future (1985)Yes
49.8.5The Pianist (2002)
50.8.4The Departed (2006)Yes
51.8.4Vertigo (1958)
52.8.4M (1931)
53.8.4Life Is Beautiful (1997)
54.8.4American Beauty (1999)
55.8.4Taxi Driver (1976)Yes
56.8.4Paths of Glory (1957)
57.8.4Double Indemnity (1944)
58.8.4Aliens (1986)
59.8.4Toy Story 3 (2010)Yes
60.8.4WALL·E (2008)Yes
61.8.4The Lives of Others (2006)Yes
62.8.4Untouchable (2011)
63.8.4Gladiator (2000)
64.8.4A Clockwork Orange (1971)
65.8.4The Green Mile (1999)
66.8.4Amelie (2001)
67.8.4The Great Dictator (1940)
68.8.4The Prestige (2006)Yes
69.8.4Lawrence of Arabia (1962)Yes
70.8.4To Kill a Mockingbird (1962)
71.8.4Reservoir Dogs (1992)
72.8.4Das Boot (1981)Yes
73.8.4The Third Man (1949)
74.8.4Requiem for a Dream (2000)Yes
75.8.4The Treasure of the Sierra Madre (1948)
76.8.3Eternal Sunshine of the Spotless Mind (2004)Yes
77.8.3Cinema Paradiso (1988)
78.8.3Once Upon a Time in America (1984)
79.8.3The Lion King (1994)Yes
80.8.3Star Wars: Episode VI - Return of the Jedi (1983)Yes
81.8.3Full Metal Jacket (1987)Yes
82.8.3Chinatown (1974)Yes
83.8.3L.A. Confidential (1997)
84.8.3Braveheart (1995)
85.8.3Oldboy (2003)Yes
86.8.3Monty Python and the Holy Grail (1975)
87.8.3Singin' in the Rain (1952)
88.8.3Some Like It Hot (1959)Yes
89.8.3Metropolis (1927)
90.8.3Amadeus (1984)
91.8.3Rashomon (1950)Yes
92.8.3Bicycle Thieves (1948)
93.8.32001: A Space Odyssey (1968)
94.8.3Princess Mononoke (1997)Yes
95.8.3Unforgiven (1992)
96.8.3All About Eve (1950)
97.8.3The Sting (1973)
98.8.3The Apartment (1960)
99.8.3Indiana Jones and the Last Crusade (1989)
100.8.3Raging Bull (1980)
101.8.3The Bridge on the River Kwai (1957)
102.8.3Witness for the Prosecution (1957)
103.8.3Die Hard (1988)
104.8.3Grave of the Fireflies (1988)
105.8.3Batman Begins (2005)Yes
106.8.3A Separation (2011)
107.8.3Downfall (2004)Yes
108.8.3Yojimbo (1961)
109.8.3Pan's Labyrinth (2006)
110.8.3For a Few Dollars More (1965)
111.8.3Snatch. (2000)
112.8.3Inglourious Basterds (2009)
113.8.3The Great Escape (1963)Yes
114.8.3Mr. Smith Goes to Washington (1939)
115.8.2Up (2009)Yes
116.8.2On the Waterfront (1954)
117.8.2Toy Story (1995)
118.8.2The Elephant Man (1980)
119.8.2The Seventh Seal (1957)Yes
120.8.2Heat (1995)
121.8.2The General (1926)
122.8.2The Maltese Falcon (1941)
123.8.2Blade Runner (1982)Yes
124.8.2Rebecca (1940)
125.8.2Gran Torino (2008)Yes
126.8.2Wild Strawberries (1957)
127.8.2The Kid (1921)
128.8.2Scarface (1983)
129.8.2Fargo (1996)
130.8.2The Big Lebowski (1998)Yes
131.8.2Touch of Evil (1958)
132.8.2Ran (1985)
133.8.2The Deer Hunter (1978)
134.8.2Cool Hand Luke (1967)
135.8.2The Gold Rush (1925)
136.8.2Sin City (2005)Yes
137.8.1Avengers Assemble (2012)Yes
138.8.1It Happened One Night (1934)
139.8.1Strangers on a Train (1951)
140.8.1Lock, Stock and Two Smoking Barrels (1998)
141.8.1No Country for Old Men (2007)Yes
142.8.1Jaws (1975)
143.8.1The Sixth Sense (1999)
144.8.1Platoon (1986)
145.8.1The Thing (1982)Yes
146.8.1Casino (1995)
147.8.1Hotel Rwanda (2004)Yes
148.8.1High Noon (1952)
149.8.1Butch Cassidy and the Sundance Kid (1969)
150.8.1Trainspotting (1996)
151.8.1The Wizard of Oz (1939)Yes
152.8.1Kill Bill: Vol. 1 (2003)Yes
153.8.1Warrior (2011)
154.8.1Good Will Hunting (1997)
155.8.1Annie Hall (1977)
156.8.1The Secret in Their Eyes (2009)Yes
157.8.1Gone with the Wind (1939)Yes
158.8.1Notorious (1946)
159.8.1The Hobbit: An Unexpected Journey (2012)Yes
160.8.1The Grapes of Wrath (1940)
161.8.1Into the Wild (2007)Yes
162.8.1Life of Brian (1979)Yes
163.8.1The King's Speech (2010)Yes
164.8.1V for Vendetta (2005)Yes
165.8.1My Neighbour Totoro (1988)
166.8.1Finding Nemo (2003)Yes
167.8.1How to Train Your Dragon (2010)Yes
168.8.1Dial M for Murder (1954)Yes
169.8.1The Big Sleep (1946)
170.8.1Network (1976)
171.8.1Ben-Hur (1959)
172.8.1The Terminator (1984)
173.8.1There Will Be Blood (2007)Yes
174.8.1The Night of the Hunter (1955)
175.8.1Million Dollar Baby (2004)
176.8.1Stand by Me (1986)
177.8.1Donnie Darko (2001)
178.8.1Groundhog Day (1993)
179.8.1Black Swan (2010)Yes
180.8.1Dog Day Afternoon (1975)
181.8.1Twelve Monkeys (1995)
182.8.1Amores Perros (2000)
183.8.1Mary and Max (2009)
184.8.1The Bourne Ultimatum (2007)Yes
185.8.1The 400 Blows (1959)
186.8.1Persona (1966)
187.8.1Gandhi (1982)Yes
188.8.1Life of Pi (2012)Yes
189.8.1Howl's Moving Castle (2004)Yes
190.8.1The Graduate (1967)
191.8.0The Killing (1956)
192.8.0The Princess Bride (1987)
193.8.0A Beautiful Mind (2001)
194.8.0 (1963)
195.8.0Slumdog Millionaire (2008)Yes
196.8.0The Hustler (1961)
197.8.0Who's Afraid of Virginia Woolf? (1966)
198.8.0La strada (1954)
199.8.0The Manchurian Candidate (1962)
200.8.0The Artist (2011/I)Yes
201.8.0Rocky (1976)Yes
202.8.0Anatomy of a Murder (1959)
203.8.0The Wild Bunch (1969)
204.8.0The Exorcist (1973)
205.8.0Stalag 17 (1953)
206.8.0Rope (1948)
207.8.0Sleuth (1972)
208.8.0The Man Who Shot Liberty Valance (1962)
209.8.0Barry Lyndon (1975)
210.8.0Infernal Affairs (2002)
211.8.0Stalker (1979)
212.8.0Memories of Murder (2003)
213.8.0District 9 (2009)Yes
214.8.0Roman Holiday (1953)
215.8.0The Truman Show (1998)
216.8.0Pirates of the Caribbean: The Curse of the Black Pearl (2003)Yes
217.8.0In the Name of the Father (1993)
218.8.0The Perks of Being a Wallflower (2012)
219.8.0The Diving Bell and the Butterfly (2007)
220.8.0Monsters, Inc. (2001)
221.8.0Ip Man (2008)
222.8.0Ratatouille (2007)
223.8.0A Fistful of Dollars (1964)
224.8.0Harry Potter and the Deathly Hallows: Part 2 (2011)Yes
225.8.0Star Trek (2009)Yes
226.8.0A Streetcar Named Desire (1951)
227.8.0Beauty and the Beast (1991)
228.8.0La Haine (1995)
229.8.0Rosemary's Baby (1968)
230.8.0Incendies (2010)
231.8.0Like Stars on Earth (2007)
232.8.0Nausicaä of the Valley of the Wind (1984)
233.8.0All Quiet on the Western Front (1930)
234.8.0Harvey (1950)
235.8.0Shutter Island (2010)
236.8.0Rain Man (1988)
237.8.03 Idiots (2009)
238.8.0Mystic River (2003)
239.8.0The Wrestler (2008)Yes
240.8.0Manhattan (1979)
241.8.0Nosferatu (1922)
242.8.0Jurassic Park (1993)
243.8.0Spring, Summer, Autumn, Winter... and Spring (2003)
244.8.0Papillon (1973)
245.8.0The Help (2011)
246.8.0Big Fish (2003)
247.8.0Arsenic and Old Lace (1944)
248.8.0The Untouchables (1987)
249.8.0Battleship Potemkin (1925)
250.8.0Castle in the Sky (1986)

Sunday, January 27, 2013

Django Unchained

#37 at time of writing.

...In which Quentin Tarantino tries to assuage the collective guilt of White America by dreaming up a black vigilante who cuts a swathe through scores of Confederate slave owners in a blood-soaked revenge fable. I'm not sure a single white character that spends more than about five minutes with Django makes it to the end of the film alive.

It slightly makes me worry for the mentality of Hollywood and America in general that so much racism, rape, hatred and gory murder can so easily be extruded into such a jaunty film. Tarantino knows instinctively what he can get away with, and thereby pushes the boundaries further than most would dare.

One of the things he does particularly well in this film is create tension - there's plenty of it, building up, and then getting periodically released with fountains of special sauce. And, this being a Tarantino Western (or Southern as he puts it), there are plenty of nods to other Westerns, not least Django.

The thing I've always admired most about Tarantino is that his status as filmmaking legend is entirely self-created. Not based on the quality of his films, although his early work surely helped, but because he just decided to spread his own rumours that he was a movie god. Only someone like that would make a movie like this. Totally amoral, utterly self-indulgent, and (*sigh*) brilliant.

Thursday, January 10, 2013

The Great Escape

#113 at time of writing.

This World War II action film manages to be relentlessly upbeat (largely thanks to Elmer Bernstein's classic catchy theme song); even when things go horribly wrong, the jokes roll on.

A gang of mostly British soldiers (plus Steve McQueen, inserted purely as a crowd-pleaser) organise an incredibly ambitious escape from a high-security "Stalag Luft III" prisoner-of-war camp. The true story on which this is based is so amazing that it begged to be told, and although this film deviates widely from the known facts the salient points remain.

There aren't many war films that will make you smile, get your feet tapping, or hold your attention for nearly three hours - but this manages all three with style.

Tuesday, January 01, 2013

The Hobbit: An Unexpected Journey

#119 at time of writing.

After the phenomenal success of the Lord of the Rings trilogy (and some legal wrangling with New Line cinema and the Tolkein estate), Peter Jackson gained enough trust from the studios and the fans to do whatever he liked with The Hobbit. Originally planned as a two-part film with Guillermo del Toro at the helm, Jackson took over and expanded Bilbo Baggins's tale with backstory from the Lord of the Rings books to end up with a behemoth three-parter.

And it shows. Part one, An Unexpected Journey, runs to nearly three hours (will the DVDs still have an extended edition?). It's certainly flabby and self-indulgent. But you know what? I was very happy to indulge it.

I sat enjoying the expansive story world, feeling at home as each scene lingered languidly. Like sitting by a fire with a glass of port on Christmas morning.

Much has been made of the fact that this is the first feature film to be shot and projected at 48 frames per second, twice as fast as the industry standard of 24 frames, the intention being to provide the smoother, more realistic motion, especially in 3D. Did it make much difference? Meh.

Interesting to note that the filmmakers did not have the requisite rights to use material from Silmarillion or Unfinished Tales - evident when Gandalf "forgets" the names of two of the five wizards, Alatar and Pallando, who only appear in the book Unfinished Tales. So, plenty of scope for yet more engorged trilogies in the future.

Saturday, December 22, 2012

Life of Pi

#227 at time of writing.

A boy (the eponymous Pi) and his family are migrating from Pondicherry to Canada on a large container ship, with all of the animals from their family zoo on board. The ship wrecks and Pi is stranded on a lifeboat in the middle of the Pacific with an injured zebra, a hyena, an orangutan and a fierce Bengal tiger named Richard Parker.

The film is an aesthetic marvel, presented absolutely beautifully, just on the right line between reality and fantasy (reminiscent of Amelie - indeed Jean-Pierre Jeunet was attached as director before Ang Lee took over). The animals, for example, feel completely genuine even though they must be largely CGI.

M Night Shyamalan was originally slated to direct. Good thing he didn't because, well, he's rubbish.

Pi's narrative is interwoven with various musings on faith and religion, but the quirky nature of the story obscures any deeper meaning. However, the tale is always compelling, carried along with beauty and charisma until it reaches a crescendo of fantasy and then comes crashing back to reality.

The lifeboat is named Mignonette after the one in the real-life case of R v Dudley and Stephens - a fascinating and macabre story in its own right.

Yann Martel, the author of the Booker prize-winning book, has said he was inspired by a book review of Brazilian author Moacyr Scliar's 1981 novella Max and the Cats, about a Jewish-German refugee who crossed the Atlantic Ocean while sharing his boat with a jaguar.

Friday, December 21, 2012

The Lion King

#79 at time of writing.

This film announces itself as something special in the first five minutes. A sweeping panorama of the African savannah with swarms of animals gathering to welcome a newborn lion prince, set to Elton John and Tim Rice's beautifully crafted song "The Circle of Life" - and then, boom, the title screen. Awesome.

The visuals are stunning throughout, but what really makes the movie is the dramatic story (inspired by Hamlet) and the thoroughly musical sense of humour.

It's very telling that the recent re-release of the film in 3D has seen it rocket more than 20 places higher in IMDb's ranking - a sign that this (mostly) hand-animated marvel has endured into the age of ubiquitous CGI.

Arguably the peak of the 90s Disney Renaissance, and one of the best (non-Pixar) Disney animated features ever.

Saturday, July 21, 2012

The Dark Knight Rises

Unranked at time of writing.

Wow. I have a massively high opinion of the previous two instalments of this trilogy, and this is easily their match. You have to admire the scale of Christopher Nolan's ambition and his uncanny ability to pull it off.

Granted, it's a bit expositiony at times, but the bad guy's ruthless build-up to power reaches such an intensity that you're glued to the screen. The story reaches a point where you cannot imagine the good guys ever recovering - and then it gets even worse... and then the blood-curdling villain Bane really gets going.

Top off that drama with some wonderful twists (so unexpected, yet so fitting), a couple of charismatic female leads, and a bevy of breathtaking and immaculately crafted set pieces, and you have pure blockbuster cinema at its very best. I wonder how this will stand up to a second viewing given that the twists will no longer be a surprise - but if the previous two instalments are anything to go by it will just keep getting better.

Chris Nolan has said that there will not be a fourth film. I'm sure there will. The question is simply whether the franchise will degenerate into second-rate spin-off sequels (or be annoyingly re-re-booted like Spider-Man and Superman), or he takes the helm himself.

As soon as the Dark Knight trilogy is released on DVD, I'm buying.

Sunday, June 10, 2012

Alien

#42 at time of writing.

I watched Prometheus a couple of days ago, billed as a prequel to Ridley Scott's Alien, so I had to re-watch the film that started it all.

In Alien, the crew of a mining vessel are woken from stasis to find that rather than having returned home to Earth, they've been roused to investigate a mysterious distress signal emanating from a dead planet. They land and discover an alien spaceship with a long-dead captain, and a roomful of hibernating eggs. Unwittingly, they bring one of the eggs back with them. Bad move.

Much has been said about how nail-bitingly tense and sinister this film is. The twists are shocking, and H. R. Giger's notorious alien delivers the ultimate horror kick.

Prometheus was entertaining, but one wonders why (beyond cynical profiteering) filmmakers feel the need to detract from the artful implication of backstory by actually showing the backstory as a separate movie (I'm looking at you and your crummy prequels, George Lucas). Alien was breathtakingly original - 33 years later, Prometheus delivers nothing new.

Saturday, June 09, 2012

Princess Mononoke

#99 at time of writing.

After enjoying Howl's Moving Castle, My Neighbour Totoro, and especially Spirited Away, I was excited to watch the highly IMDb-rated Princess Mononoke.

A demonically possessed hog attacks the town of a forest tribe and infects a young prince. The prince, doomed to suffer a drawn-out and painful death, travels to a faraway land to seek the help of a forest spirit. But the matriarch of the local mining town is in conflict with the forest spirit and its animal denizens, including the eponymous wolf-princess Mononoke, and our hero's fate becomes entwined.

This is a much darker and bloodier affair than the other Studio Ghibli films I've seen, and in my opinion not quite as satisfying. The characters were fun, but I found it hard to empathise with them. I enjoyed the story, but certainly less compelling than it could have been. I watched the English dub (as written by Neil Gaiman) - I wonder if anything was lost in the translation.

The animation is lush and beautiful - the last major animated motion picture to be filmed on plastic animation cels - and the film was phenomenally successful in Japan, the highest-grossing film since E.T. until Titanic came along.

One of the things that most charms me about Studio Ghibli films is the visualisation of Japanese animism. The cute clockwork forest sprites were a highlight.

Thursday, May 24, 2012

Highest rated films on Amazon

Today I asked myself, "I wonder what are the highest rated films on Amazon?"

Amazon sells more films than any other organisation ever, and collects more reviews. Hundreds, if not thousands, of people rate each film 1 to 5 stars. So which are the most consistently highly rated films of all time?

The answer is surprising.

In the UK, most of the top spots are taken by TV series box sets, with Firefly and Band of Brothers being the highest rated. I've discounted TV series and picked out the top ten films.

On Amazon.co.uk... (current IMDb rating in brackets)

1. The Lord of the Rings Trilogy (Extended Edition Box Set) (8.8, 8.7, 8.9)
2. Tangled (7.8) (!)
3. Spirited Away (8.6)
4. Downfall (8.3)
5. Threads (8.0)
6. Monsters, Inc. (8.0)
7. The Gruffalo (7.3)
8. Labyrinth (7.3)
9. My Neighbour Totoro (8.2)
10. Goodnight, Mister Tom (7.9)

In the USA, they love their HBO dramatisations!

On Amazon.com... (current IMDb rating in brackets)

1. Temple Grandin (TV film) (8.3)
2. Mean Girls (6.9)
3. Ben-Hur (8.2)
4. Something the Lord Made (TV film) (8.1)
5. The Road to Independence (straight to video) (9.0)
6. The Shawshank Redemption (9.2)
7. Taking Chance (TV film) (7.3)
8. Fat, Sick & Nearly Dead (documentary film) (7.7)
9. A Christmas Carol (1984) (TV film) (7.7)
10. The Ghost and Mrs. Muir (7.8)

Bizarre. Clearly the Amazon-rating audience are very different from the IMDb-rating audience.

Friday, April 27, 2012

Avengers Assemble

#124 at time of writing.

Back in 2005, an enterprising Marvel Studios executive (Avi Arad) decided to produce a slate of films about individual super-characters, to establish their identities and familiarize audiences with them, before merging the characters together in an epic Avengers movie.


They got off to an excellent start with Iron Man, which was followed in quick succession by The Incredible HulkIron Man 2Thor and Captain America. And now, finally, the motley crew are brought together.

I must admit that I expected this film to be poor. For one thing, the concept is a huge example of what Blake Snyder calls double mumbo jumbo. A god-alien in the same movie as an artificially enhanced soldier from the 1940s and a giant green id monster? Sounds dubious.

But whilst it is indeed silly, this film is never cringeworthy. Rather, it is thoroughly pacey and entertaining, gloriously irreverent, and often laugh-out-loud funny. This quote from director Joss Whedon sums up the spirit of the film: "The whole movie is about finding yourself from community. And finding that you not only belong together but you need each other, very much. Obviously this will be expressed through punching."


Legal rights issues prevented a number of "Avengers" characters from being included in this film, such as Quicksilver and The Scarlet Witch, villains Magneto, Doctor Doom and Norman Osbourne/Green Goblin. Though all characters are owned by Marvel/Disney, the X-Men and Fantastic Four characters were licensed to Fox Studios, and those of Spider-Man to Sony, before work began on an Avengers film. Marvel has said that in the future they hope to regain the rights to all licensed properties, that the aforementioned characters might have a role in subsequent Avengers films.

Monday, February 06, 2012

These go to eleven

Did you know that the IMDb rating for Spinal Tap goes to 11?

So cool.

Saturday, February 04, 2012

Forrest Gump

#28 at time of writing.

A nostalgic history of the latter half of 20th century America through the eyes of Forrest Gump, an endearing simpleton who happens to find himself involved in a surprising variety of key cultural moments, all the while dreaming about his elusive childhood sweetheart Jenny.

Disguised beneath the cheery sentimentality and catchy contemporary music is a cutting indictment of American society, and for all its quirky lightheartedness this film is an immensely moving tragedy. Like every fairytale, it has its dark side - yet Forrest Gump himself retains his innocence throughout.

This sixfold Oscar winner is flawlessly acted (except maybe for the dated CGI that reanimates some long dead historical figures), endlessly quotable and wonderfully directed.


Allegedly, Tom Hanks wasn't paid for the film. Instead he took percentage points which ultimately netted him in the region of $40 million. And despite earning over $350 million at the box office, Paramount claimed that they were still $62 million out of profit due to the costs of promotion, distribution and interest. Sheesh.

Wednesday, February 01, 2012

Gone with the Wind

#161 at time of writing.

The idea of sitting still for a four hour film might seem daunting, but the running time of this masterful epic somehow flies past (helped by the enforced interval and "entr'acte", which allows for a natural break).

The film tells the story of a despicable, manipulative, but very charming woman (Scarlett O'Hara played by Brit Vivien Leigh) who is obsessed with a man she can't have. A host of suitors throw themselves at her - and some stick for a while - in particular, a charismatic self-confessed cad who is cockily confident that she will fall for him eventually (Rhett Butler played by Clark Gable).

Meanwhile, the American Civil War reaches a crescendo and Scarlett's wealthy friends and family find themselves facing the consequences of being on the losing side. This provides a compelling historical backdrop and sparks off plenty of drama, but essentially the story never veers from exploring the ever-worsening consequences of spoilt little rich kid Scarlett's exploitative behaviour.

And therein lies the genius. Somehow, director Victor Fleming's most successful film (the highest grossing film of all time ever if you adjust for inflation) has us sympathising with a pair of truly atrocious characters. Time and history marches on - the film often jumps ahead several months in the blink of an eye - and yet these two repeatedly fail to redeem themselves. Couple this with an unusually sentimental portrayal of life in the Confederate South, and frame it all in gorgeous cinematography. Gloriously unconventional, and brilliantly executed.

There's some fascinating trivia about the film on IMDb, worth a read.

Sunday, January 15, 2012

The Artist

#224 at time of writing.

This film is proof, if any were needed, that you don't need colour, sound and spectacle to keep an audience entertained. This nod to the golden age of cinema tells its story in black and white, without dialogue, widescreen or CGI.

Set in 1920s and 30s Hollywood, this is the story of a fictional silent film actor; the peak and fall of his career and the people whose lives he touches. It brims with charm and humour, with characters that you will enjoy spending time with.

It is both wonderfully naive (the story) and yet thoroughly knowing (the loving homages). Very refreshing to see a movie so unabashedly dramatic, romantic, funny, visual. Deservedly collecting many awards, and bound to catch an Oscar or two as well.


Thank goodness profiteering Hollywood studio execs aren't the only people who can get films made; well done to Michel Hazanavicius for persisting with his dream of making a silent movie. This is a gem.

Wednesday, December 28, 2011

Harry Potter and the Deathly Hallows: Part 2

#192 at time of writing.

I very much enjoyed the Harry Potter series of books, and I massively admire Jo Rowling both for her ability to tell a good story and for nobly dealing with the consequences of becoming a millionaire international celebrity whether she wanted it or not. She's a real role model.

The films, however, have been of very variable quality. Rowling's insistence on an all British cast was laudable, but unfortunately we got - how can I put it charitably - not the best child actors I've ever seen. Their occasionally cringeworthy performances are at the core of most of my criticism of the films.


The first two installments, directed by Chris Columbus, were lackluster. After that, they picked up, with an increasingly darker tone appealing to a broader audience than just children. I enjoyed the fourth, fifth and sixth films most.

The decision to split the last book into two films meant that the first suffered from feeling drawn out (and suffered doubly from some of the most awkward and ridiculous "love" scenes ever committed to film); and the last movie was so full of spectacle it almost got crushed underneath its own weight.

I can understand how somebody discovering Harry Potter's story and his world for the first time through watching the films would rave about them, but I find them too deeply flawed. I seriously doubt that Harry Potter and the Deathly Hallows: Part 2 is the 192nd best film ever made, by any decent measure.

J K Rowling stated that her preferred director for the films would have been Terry Gilliam. Now THAT I'd love to have seen. Reboot?