Dune: Part Two

#12 at the time of writing.

Rewatched Part One recently, and I think it does a fantastic job of adapting the novel and delivering a compelling, moody sci-fi epic. Part Two is even more epic. I was ready to give myself over to it, and my investment was well rewarded.

Director Denis Villeneuve is no stranger to sweeping sci fi epics, with Arrival and Blade Runner 2049 under his belt - both stellar examples of cinematic sci fi - but with Dune, he has excelled himself.

It captured the multi-generational manipulations of power from the book; the dichotomy of Paul resisting - and yet compelled to embrace - his role in sparking a holy war in which he knows billions will die; the richness of the Fremen culture; etc. The two films together are a remarkably complete adaptation of the first book - which makes them very long! But immensely satisfying.

Jodorowski would be proud. (Alejandro Jodorowski was nearly the first person to adapt Dune. His vision for it, which included among others Pink Floyd, H.R. Giger and Salvador Dalí, is the stuff of legends and directly influenced Alien, Blade Runner, and even Star Wars. See this fantastic documentary for more.)

I'm going to read some of the sequels now. I wonder if anyone will ever attempt them on the silver screen?

Random trivia: Christopher Walken plays Emperor Shaddam IV. Coincidentally, Walken starred in the 2001 music video for the Fatboy Slim song "Weapon of Choice", a song which includes several references to Dune in the lyrics ("Don't be shocked by the tone of my voice", "Walk without rhythm and you won't attract the worm").

Her

#125 at the time of writing.

Way back when I blogged about Eternal Sunshine of the Spotless Mind, I said that if I had to choose a personal top 250 films, it would be full of films like that one. Except there aren't any.

Now there's one.

I enjoyed Her possibly more than any film since Eternal Sunshine (which is my favourite film of all time). I love any film that takes a clever conceit and explores its consequences as far as possible - and then stretches it even further, until your imagination is blown. This film does that wonderfully, with plenty of heart and humour.

Eternal Sunshine was written by my #1 screenwriter (with the possible exception of Terry Rossio), Charlie Kaufman - and two other films written by him (Being John Malkovich and Adaptation) were directed by Spike Jonze, who wrote and directed Her. So perhaps it's not surprising that this film reminded me of Eternal Sunshine; the two men apparently share a certain kind of quirky creative sensibility that massively appeals to me.

This near-future sci-fi romance tells of a heartbroken and lonely man (played by Joaquin Pheonix) who falls in love with an artificially intelligent operating system. Their relationship evolves through highs and lows, and meanwhile the depth and complexity of the AI's consciousness evolves (in a charmingly flawed way, echoing the fallibility of its human creators), and simultaneously society's attitude towards this new kind of intelligence evolves. These three threads build and intertwine slowly and subtly without ever taking the focus away from those intimate human moments that define love.

To top it all off, this film has one of the most intense and endearing 100% platonic male/female relationships that I've seen in movies (the main character and his friend played by Amy Adams).

The voice of the AI was originally Samantha Morton's. She was present on the set with Joaquin Phoenix every day. After the filming wrapped and Spike Jonze started editing the movie, he felt like something was not right. With Morton's blessing, he decided to recast the role and Scarlett Johansson was brought and replaced Morton, re-recording all the dialogue.

Hey Academy, are you listening? Never mind Gravity, pay no more than lip service to 12 Years A Slave, and give this film some love. (Yah, they won't listen…)

Gravity

#50 at the time of writing.

Went to see this film, about two astronauts that get stranded in space, at the IMAX yesterday. Totally worth shelling out the extra cash to see it 3D on the big screen. It's more like a theme park ride than a movie. And what a ride!

The first 15 or 20 minutes is presented as one long shot with no cuts, extremely impressive given that the actors are floating around in zero gravity fixing a space station module with the sun setting on Earth in the background.

Sandra Bullock may have seemed like an unlikely choice to play the main character (alongside George Clooney), but she does fantastically well, even making you believe some of the bits that could have seemed silly in lesser hands. A dream role for her, I imagine. (Angelina Jolie and Natalie Portman were previous choices.)

But I suspect that this would lose much of its impact on a small screen. Like I said, more of a ride than a film. The writing felt at best formulaic, and at worst slightly annoying. The end could have been immensely emotionally impactful, but it somehow missed the beat. The music was once or twice intrusive. And the science requires a bit of suspension of disbelief - like everybody knows that tears in space don't fall!

However, undeniably extremely suspenseful, tense and intense. A great achievement. Well done especially to Alfonso Cuarón for realising such an ambitious vision.

Definitely worth watching the companion piece, Aningaaq. And the other, unofficial companion piece...

The best science fiction books

In preparation for writing a comic science fiction novel at the end of last year, I bought myself a pile of science fiction books. I visited various websites to try and work out some of the greatest classics of sci-fi that I never got around to reading as a child.

It's been years since I read good science fiction, and I'd forgotten how much fun it is. Three months of reading, and I'm still only halfway through the pile - but only because I acquired more books along the way.

Calling science fiction a genre is, in my opinion, misleading. The range of science fiction stories is as broad as all literature - the one thing they have in common is a particularly rich imagination.

Here's what I've been enjoying. (The absence of Harrison, Clarke and Adams is because I read pretty much their entire works in my teenage years.)

• The Sirens of Titan by Kurt Vonnegut (Vonnegut bowls me over with the confidence and ambition of his writing. Despite the extreme weirdness of this book I felt surprisingly emotionally involved by the end.)
• The Cyberiad by Stanislaw Lem (I loved the idea of the two competing cosmic constructors, and the timeless style.)
• Man In The High Castle by Philip K Dick (Such a complete and thorough vision of a culture darkly parallel to our own. A little difficult to follow sometimes, but compelling.)
• The Left Hand of Darkness by Ursula K Le Guin (A grand political drama with wonderful characters. Led me to read a much earlier work of feminist science fiction, Herland by Charlotte Perkins Gilman.)
• Ender's Game by Orson Scott Card (I read the original short story rather than the novel; it's a truly excellent story.)
• Non-Stop by Brian Aldiss (Relentlessly pacey, great characters, twist after twist, and a dramatic finale. What more could you want?)
• Foundation by Isaac Asimov (Based on this epic alone, I'm convinced Asimov earned every bit of his reputation as one of the masters of science fiction. It's a series of linked short stories - fascinating individually, and astounding as a whole.)
• The Player of Games by Iain M Banks (Board games! Cheeky robots! A utopian empire! A violent and colourful enemy! So much fun!)
• Stranger in a Strange Land by Robert Heinlein (Charismatic, hugely witty and deeply profound. It feels like he predicted the entire Sixties counterculture. Possibly my favourite so far. Front!)

And here's what I have left in the considerably expanded pile.

• The Forever War by Joe Haldeman
• The Mote In God's Eye by Larry Niven and Jerry Pournelle
• Last And First Men and Star Maker by Olaf Stapledon
• A Canticle for Leibowitz by Walter M Miller Jr
• Hyperion by Dan Simmons
• Neuromancer by William Gibson
• Mirror Dance by Lois McMaster Bujold
• Earth Abides by George R Stewart
• Only Forward by Michael Marshall Smith
• A few more Dicks and Heinleins

So many worlds of joy!