Unranked at time of writing.
Woody Allen has a talent for capturing those awkward moments that make up the bulk of real life and real relationships. He understands what makes people hate the people they most love.
And he does not shy away from allowing people to talk over each other, which creates a conversational atmosphere that makes you feel right at home - makes it personal.
This film has some moments of true genius. It is a very simple concept (a love triangle), with simple characters, but it's so artfully put together. At least until about the halfway point.
Now don't get me wrong, I enjoyed the film. But the act of desperation that the protagonist resorts to midway through the film felt so out of character that I was left feeling skeptical. It may have worked if the character's past had been infused with a bit more mystery, or if there had been some other clues, but it fell short.
There was also an unnecessary indulgence towards the end; a violation of point of view that made the final story point seem contrived. I suppose I can forgive that, though, especially for Woody Allen who makes a virtue of breaking the rules.
Opera is used as a theme in this film, and the story excels as opera. However, as a film, I found the unexpected behaviour of the main character irreconcilable.