Celebrating Great Films


Tuesday, July 05, 2022

Everything Everywhere All At Once

#142 at the time of writing.

More than a third of my top 30 films of all time are from the years 1999-2001 - check out my list in the sidebar - and I think that's testament to the age I was when I first watched them (19-21). I was young and impressionable, and the mark those films left on me will stay with me for life.

But that means new-to-me films start at a monumental disadvantage; how can anything new possibly hope to change my life now that I've seen it all before? After thousands of films and increasingly entrenched tastes, how can anything blow my mind anymore?

This is how.

Everything Everywhere All At Once is the most bonkers and ambitious film I have ever seen - and it's about laundry and taxes. That mismatch is part of its genius; it tells an impossibly grand story while remaining grounded throughout. The Daniels went for a maximalist style that conveys how overwhelming our modern world is - but ultimately this is the story of a struggling Chinese immigrant family just trying to get along.

This cerebral sci-fi kung fu thriller does so much exactly right, and manages to be like nothing else I've ever seen. I love that the characters switch between Chinese and English throughout. I love the bagel and the googly eye symbolising nihilism and existentialism. I love the myriad of references to some of my favourite films, especially The Matrix, Ratatouille, and 2001: A Space Odyssey. I love that this was Ke Huy Quan's first major on-screen role since Indiana Jones and The Goonies. I love that Michelle Yeoh cried when she talked about how validated she felt by being asked to play such a versatile character (and, wow, she knocked it out of the park). I loved it so much, that I went back to watch it a second time at the cinema... and then a third time... and then once more at home with my daughter, all within the space of a couple of weeks.

It was released at the same time as another multiverse movie, Doctor Strange in the Multiverse of Madness, which had eight times the budget and wasn't even half as good.

Everything Everywhere All At Once rockets into my favourite films of all time - not just into the top 30, not even the top 10, but the top 3. I'm thrilled that my mind can still be blown.

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